Destination wedding film still from the Bonneville Salt Flats by Adam Grumbo

How to hire a destination wedding videographer

How to hire a destination wedding videographer

Hiring a destination wedding videographer is different from hiring someone who only shoots in one city. Use this checklist before you book.

Ask for packages

See a destination film first

Bonneville Salt Flats Super 8. Read the film post

Cliffside, Dominican Republic. Read the film post

Playa del Carmen Mahekal destination wedding film still by Adam Grumbo Chateau Noland San Luis Obispo Super 8 wedding film still by Adam Grumbo Jackson Hole destination wedding film still by Adam Grumbo

What to ask

  • Travel and lodging: who pays for flights, rental car, and hotel, and when those costs are due
  • Film vs digital: Super 8, 16mm, hybrid, or digital only
  • Turnaround: when you get a teaser and when you get the finished film
  • Second shooter: whether the weekend needs one, especially for multicultural or multi-location days
  • Deliverables: finished film length, raw footage policy, and music licensing

Film vs digital

Bonneville Salt Flats Super 8 wedding film still by Adam Grumbo

Real film stock looks different from a LUT. If nostalgia matters, ask whether cameras and stock are actually on set. Our approach is on the Super 8 wedding film page.

Timeline

Cliffside Dominican Republic destination wedding film still by Adam Grumbo

Share the venue, ceremony time, and any cultural events early. Destination days often include welcome dinners, multiple locations, and tight light.

How Adam Grumbo Films works

Southern Oaks New Orleans destination wedding film still by Adam Grumbo

We shoot destination weekends from an Austin base, including Colorado, California, Mexico, the Dominican Republic, and more. Start with the destination wedding videographer hub, then ask for packages with your date and venue.

No invented stats here. Ask for recent films that match your place and pace.

Ask for packages